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Destiny
by Suzanne Gold
  Even when I was very young, I imagined my soulmate. He was tall and blond, and had the hands of an artist. I felt that I was continually searching for him, which was a secret embarrassment. I thought it was a sign of weakness.
     In my last year of college, I met a man who had the hands I pictured. He was tall, brunette, and wanted to be a doctor, not an artist. But he wanted to marry me. Desperate to escape my parents' rigid protection, I accepted.
     Ten minutes before the ceremony, I realized I'd made a mistake but didn't have the courage to call the wedding off with everyone assembled and waiting for me downstairs. It took me almost a year to end it. I was thrilled to be free and on my own, but still yearning for my soulmate, the man with the artist's hands.
     Five years later and three thousand miles away, I met Dan, who fit the profile. We'd known each other for half a year and had become quite intimate, when one evening we were playing music together and he suddenly stopped singing. 
     "Wait a second," he said. "Suzanne Gold... I remember you. You stole my roommate. Rob. In Boston, three years ago." I had no idea what he was talking about. Three years before, I hadn't yet been to Boston. But the story he told made it apparent that our connection began much earlier, in Philadelphia, where I'd grown up. 
     It started when I was working as a psychologist in a drug treatment center. One morning, a tall, dark and handsome newcomer joined the morning Community Meeting. We made significant eye contact. That afternoon, he interviewed for an opening in the psychology department and asked me to have dinner with him. This was the infamous Rob.
     He was offered and accepted a position in the group therapy department. Since he'd come down from Boston to interview, he had no permanent place to live. It was a time of free spirits and impulsive behavior, and it seemed natural to me to invite him to share my apartment. After a quick trip back to Boston to tie up loose ends, he moved in with me and started work. He never mentioned moving out of an apartment he shared with another man or what that roommate's name was.
     At first Rob and I thought we were lovers. But soon he felt stifled, and I felt neglected and resentful, so we agreed instead to be friends. He turned out to be an important bridge for me. I was drawn to transpersonal psychology, and Rob's training with the Arica Institute, a school of meditation, yoga and other esoteric techniques I'd already been interested in, was part of what had attracted me to him in the first place. 
     Rob introduced me to the Philadelphia Arica house. I found I liked their programs very much, and soon left for a forty day retreat in Vermont. By day thirty, I knew I wouldn't be returning to my old life. 
     I moved to Boston to live and work in the Arica community, the same one in which Dan had lived a few years before. His name came up now and then in conversation with people he'd known, and I felt an odd urgency to meet this stranger. But he'd gone to California by then and mostly, I forgot about him.
    As much as I loved teaching with Arica, after a year of Boston's parking conundrum and freezing winters I craved a change of scene. Then a friend said he was moving to California and asked if I'd like to come along. The possibility shone in my mind like a pot of gold at the end of the rainbow. I was in transition, the perfect time to experiment. I jumped at the chance.
     I told another friend I was going, and he wanted to come too. He told one more, and soon we were a caravan of six, wending our way west. At the end of the continent, we turned left to cruise along the Pacific coast. When we reached Marin County, just north of the Golden Gate, my body zinged with anticipation. Every breathless vista, each voluptuous hill seemed to be telling me that this was where I belonged.
     On arriving in San Francisco, we each called everyone we knew in the Bay Area and arranged to meet along the waterfront at Justin Herman Plaza. A score of people gathered. I found myself seated directly across the table from a man whose gaze mesmerized me. Tall. Blond. With the hands of an artist. He turned out to be the mysterious Dan: artist, graphic designer and Renaissance man, whose name had touched me in Boston. 
     After lunch, Dan invited us all to his hillside house in Sausalito. With its sweeping view of San Francisco Bay, it looked like Oz to me. I was awe-struck at my good luck at being here, now, with Dan as attracted to me as I was to him. During the course of the afternoon, with the city, the water and the hills spread out before us, we embraced love at first sight. We became inseparable. Within months we were living together.
     After all that time, when Dan suddenly realized our previous link, he told me how angry he was at Rob (and me!) for leaving him in the lurch. I burst out laughing, which made him laugh too, and washed away his resentment. The extraordinary coincidence seemed a portent of our destiny to be together. We were married two years later, and are still blissfully together after two decades. 
     Our sense of kismet intensified recently. We were designing a cover for my autobiographical novel, Daddy's Girls. We'd found an image to represent my sister, mother and myself, but were struggling for one to capture the essence of my father, so we set the project aside to percolate.
     Instead, Dan showed me some photos and paintings he planned to use in a talk at an art gallery about his life and philosophy of art. 
     "This is practically the first painting I ever did," he said. "I was sixteen." It was a moody portrait of a man with a splotch of red in the heart area that suggested emotional wounds. "It seemed to paint itself through me. I've often wondered who 
he was."
     "It's 'Daddy!'" I cried. "It's just how I pictured him looking on the cover."
     But we realized the painting was even more than that, an amazing bond between us that went back beyond California, beyond Boston, to the day a budding artist unknowingly painted a portrait of the father-in-law he would never meet, a man who died years before the artist met the woman he would marry fourteen years later, who would use that image on the cover of her first novel, published twenty years after that.

© 2002


 
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